Tagore, an Unmet Friend

by Wen Ying​

Portrait of Tagore by Xu Beihong

“Wherever we find friend there begins a new life,” so observed Rabindranath Tagore. As a young teen, I lived in China’s countryside, where life was uneventful. Desperate to search for some meaning, I found a friend in Tagore and, through his eyes, I was able to see my monotonous life in a new light.

Tagore’s works dedicated to the beauty of Bengali mountains and rivers opened my eyes to what my village had to offer. In the morning, I would wake with the expectation that the day would come to me “like a new gilt-edged letter”. I enjoyed how “the world awakens and the night takes flight”. In the long, dull days, I would sometimes sit under the lengthening shadow of a big tree, a palm-sized yellowing anthology on my chest. The afternoon sunlight “dancing on the ripples” was just like “restless tiny shuttles weaving golden tapestry”. When my eyelids grew heavier, I felt I was in the embrace of “The Banyan Tree”, melted into the light, turned into a zephyr, swept gently against the tree leaves, and swooped to the river bank to launch my “Paper Boat”.

Life, as I found out later, is no small stream, but a broad and torrential river. You come across rocks, rapids, whirlpools, and even small waterfalls. At every sharp turn, I would look to Tagore for guidance.

Uplifting was his call for “light, my light, the world-filling light, the eye-kissing light, heart-sweetening light”. Inspiring was his dreamy portrayal of a world where butterflies “spread their sails on the sea of light” and lilies and jasmines “surge up on the crest of the waves of light”. Nourishing was his tenderness as he remembered his mother through “the tune of some song that she used to hum while rocking my cradle”. And to a young girl, the lost time reading his wise words is never lost and some magic plans are being made in the hidden—“I was tired and sleeping on my idle bed, and imagined all work had ceased. In the morning I woke up and found my garden full with wonders of flowers”.

Tagore, besides his love of nature and life itself, also had a big heart for the well-being of humankind. He ardently pleaded to his motherland to cease living a puppet’s life, and break free from the fetters of colonial rule. He condemned the dumping of opium and militarist aggression in China. He donated to China’s struggle for independence. In 1924—100 years ago from now—he first set foot on my country, where the Nobel laureate observed that India and China never thought of each other as “rivals on the battlefield”, “but as noble friends, glorying in their exchange of gifts”. The philosopher had this crucial message for his Chinese audience: Be proud of our shared Oriental cultural heritage, especially its focus on a spiritually fulfilled life, and be wary of giving that up for bits and pieces of the Occidental culture. 

During that trip, Tagore earned himself a Chinese name, proposed by his Chinese host and leading intellect Liang Qichao. It was Zhu Zhendan. “Zhu” was the name for “India” in Chinese; “zhendan” was a transliteration of “China” in ancient India.

I had the honour of once visiting the bard of Bengal’s ancestral home in Kolkata. In his final months, Tagore remembered fondly his trips to China:

Once I went to the land of China,
Those whom I had not met
Put the mark of friendship on my forehead,
Calling me their own.

But it was really Tagore who had put a mark of friendship on the forehead of generations of Chinese and Indians to come.

Wen Ying is a Beijing-based commentator.